Information about the International Chopin Competition

Due to the unique circumstances surrounding COVID-19, including travel restrictions, the 23rd edition of the International Chopin Piano Competition in ASIA will be held as both a lobby tryout and a video tryout. Regardless of this perplexing circumstance, the following are a portion of the advantages we believe our video audition can provide:

  • Regardless of your plans or where you live, you may participate safely.
  • Affordable section fee in comparison to the standard live contest
  • You might give your best performance.

Prior to the COVID-19 outbreak Chopin Monopoly, entertainers, crowds, and show lobbies were the primary factors that shaped our unrecorded music experience. Nonetheless, with all of the issues we face today, it is somewhat difficult for us to guarantee a climate free of danger. By the way, we trust that our adversary will assist you in staying on track with your inspiration and achieving your own goals. Your subsequent assistance to our adversary is extremely valuable!

Prior to submitting your application, if possible, review the Rules of the 23rd International Chopin Piano Competition in ASIA.

The opposition was originally scheduled to take place between 2 and 23 October 2020, with the starter round taking place between April 17 and 28.

The opposition was postponed to similar dates in 2021 in May 2020 due to the COVID-19 pandemic. This was decided upon after additional consultations with Poland’s Ministry of Health by Poland’s Minister of Culture and National Heritage, Piotr Gliski, and Artur Szklener, head of the Fryderyk Chopin Institute in Warsaw. Szklener announced in January 2021 that the starter round would be moved to July. 

Awards

The jury bestowed eight primary prizes on the opposition’s finalists. Bruce (Xiaoyu) Liu of Canada won the top prize. Alexander Gadjiev and Kyohei Sorita were awarded the subsequent prize ex aequo, while Martn Garca Garca was awarded the third prize. Aimi Kobayashi and Jakub Kuszlik shared the fourth prize, ex aequo, the fifth prize went to Leonora Armellini, and the sixth prize went to J Jun Li Bui.

Artur Szklener, the Chopin Institute’s director, declared that three musicians’ scores were indistinguishable, prompting lengthy discussions among the jury. Whatever the case may be, the winner of rivalry was unambiguously determined. 

Initial stage

From 3 to 20 October, the primary contest consisted of three phases and a finale. The debut exhibition took place on 2 October, and the prize-champions’ exhibition took place from 21 to 23 October. 

Clean Radio analysts described Szymon Nehring’s performance as “amazingly experienced,” and completely unlike his previous rivalry, in which he was a finalist.

Gramophone’s Jed Distler noted that Georgijs Osokins’ exhibition was “strikingly unique,” with an “epic sense of time scale” reminiscent of Emil Gilels.

Sohgo Sawada, a Japanese musician, was dubbed the best entertainer of the primary day’s evening meeting for his “disarmingly genuineness” in his performance of the Ballade in G minor. [16] The following day, Polish Radio consistently praised Talon Smith’s presentation, describing him as an “extremely melodic piano player with an incredible imagination.” Smith was described by Distler as one of those adolescents who sound “wise beyond their years,” progressing toward Chopin as “an accomplished musician with an old soul.”

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